Not in this account - and David Brownlee B and G David De Long 1997 exhibition and book, Louis I Kahn: In the field architecture and documentary of his son Nathaniel Kahn, My Architect - residential architecture is that Kahn has worked throughout his career. Unlike many architects who start with houses, then (hopefully) move on larger projects (offices, museums, etc.), Kahn never left the design of homes, as well as its buildings Monumental overshadowed them. Certainly two houses Kahn - the Esherick House Margaret (1959-1962) and Norman and Doris Fisher House (1960-1967) - are considered masterpieces of residential architecture of the 20th century. But there is still a gap in the historical coverage of the architect.
Enter The House of Louis Kahn (Yale University Press, 2013) by George H Marcus and William Whitaker, which examines how Kahn approached the idea of 'home' houses designed and considered their furnishings. Nine completed projects are presented in detail, with great color photos, drawings of architect and text on the creation of each house. Here are some of the included houses and stories of this welcome addition to the literature on Kahn.
Photography by Matt Wargo, commissioned for the book
home gracing the cover book Marcus Whitaker and is the last house of Kahn, the Steven and Toby Korman house in Whitemarsh Township, Pennsylvania (1971- 73). Kahn was born in Estonia, moved with his family to the US at age 5 and lived in Philadelphia most of his life. The majority of its residential commissions encircle the city. At 6,500 square feet, is the largest house designed and built by Kahn, but the authors state "has all the privacy and the surprises found in its smaller works."
the big property of the house is on was actually purchased by residential construction company of the Korman family (started by the grandparents Steven's parents in early 100) for a luxury home subdivision in the 1960s canton rejected their proposal, so that the family divided the country, with Steven and his four siblings each receiving 4 acres.
the two-story brick house and cypress (garage with a floor and a kitchen / breakfast room, visible on the left) cuts a striking figure on the landscape. for inspiration Kahn looked good residential architecture in the region - some traditional, some modern; he called his design "modern in its attitude to space." Similarly, historian Kenneth Frampton architecture has this to say about the house: "In its use of materials, the House Korman, like all houses Kahn, is a convincing attempt to evoke the existential purity of culture Shaker.
the two-story brick house and cypress (garage with a floor and a kitchen / breakfast room, visible on the left) cuts a striking figure on the landscape. for inspiration Kahn looked good residential architecture in the region - some traditional, some modern; he called his design "modern in its attitude to space." Similarly, historian Kenneth Frampton architecture has this to say about the house: "In its use of materials, the House Korman, like all houses Kahn, is a convincing attempt to evoke the existential purity of culture Shaker.
Compare the Korman home with second house Kahn, Philip and Jocelyn Roche house (also in Whitemarsh Township, but designed with then partner Oscar Stonorov, 1945-1949). Ended the year preceding the residence changes the life of Kahn at the American Academy in Rome, it demonstrates the impact of European incursion Kahn on his house designs. Surviving drawings show the house Roche a central focus, but as directed, the fireplace is placed outboard and at an oblique angle, activating an otherwise austere design.
Closing time Kahn in Europe is Samuel and Ruth Genel house in Wynnewood, Pennsylvania (1948-1951). In addition to his practice, Kahn was a prolific educator, teaching at Yale, MIT, Princeton and the University of Pennsylvania. In autumn 1948, he gave his advanced design studio at Yale problem a suburban residence "with all the specific requirements of the project Genel: family make-up, age, hobbies - even requirements and budget description of the property. From the beginning of the class, Kahn had developed much of the design, so the studio allowed him to work on a number of ideas involved in the project, rather than flee with solutions of its students.
home has a rather rigid plane H-shaped, but the combination of the asymmetrical roof, rough stones and angular steps leading to the entrance gives the house a very informal air.
This informality extends inside, where brick, exposed wooden structure, redwood panels (the same as the outside) and stone jostle for attention. But it is the marble fireplace in Carrara wins: angular, L-shaped, partial height enclosure advance in the hallways, much the way the chimney on the house Roche broke through the outer wall
Discover how to choose. the right fire for your home
Discover how to choose. the right fire for your home
When Kahn was awarded the commission for the Bernard and Norma Shapiro House in Narberth, Pennsylvania (1958-1962), customers were impressed by his Trenton Bathhouse, completed in 1955. Shallow, hip (pyramid) roofs sitting on concrete walls that slide blocks on each other to admit people to the room and the pool changing room facilities. Kahn took a similar tactic in the house, placing two square duplex with even shallower roofs hip next to the other, with a small space between them for stairs and service spaces. (Kahn is famous for articulating the concept of separation "served" and "service" areas, and to generate the architectural expression of their separation.)
the entrance wall stucco-over-concrete blocks mainly solid of the previous picture gives way to large openings, especially in the living areas on the upper floors. These spaces such as the living room, visually connecting the interior of trees and bamboo outside while creating a strong central focus by the management of the roof above.
Discover the best ways to frame beautiful views
Discover the best ways to frame beautiful views
As mentioned previously, the Margaret Esherick House in the Chestnut Hill area of Philadelphia (1959-1962) is considered one of the bigger houses Kahn, but also an important residence of the 20th century by an architect. After receiving an inheritance she used to buy land, Margaret asked his brother Joseph to the design of a house. Joseph - younger than Kahn, but an accomplished architect on the west coast - had contributed to the book design and toy shop his sister to Chestnut Hill, but due to the long distance, it recommended Kahn for the job.
The square design and austere met some resistance from the Woodward family, who sold Margaret land, but retained a level of control over the appearance of the house, as part of their efforts to maintain some character in their 3,000-acre farm in the area. Although they recommended pitched roofs and even a mosaic frieze, Kahn has made minor revisions to its design.
Here we see the random windows and flat space "service" to the north. The main facade to sports right windows are larger and some that are deeper. The entrance is set back from the facade, with room porch above. On the far right of the double height living room with its T-shaped windows; lean window on the bottom keeps privacy, while the large top window admits the western light.
The square design and austere met some resistance from the Woodward family, who sold Margaret land, but retained a level of control over the appearance of the house, as part of their efforts to maintain some character in their 3,000-acre farm in the area. Although they recommended pitched roofs and even a mosaic frieze, Kahn has made minor revisions to its design.
Here we see the random windows and flat space "service" to the north. The main facade to sports right windows are larger and some that are deeper. The entrance is set back from the facade, with room porch above. On the far right of the double height living room with its T-shaped windows; lean window on the bottom keeps privacy, while the large top window admits the western light.
double height living room opens dramatically to the east and to the back yard . Unlike contemporary houses with expanses of glass, like Mies van der Rohe's Farnsworth House, Kahn has supplied components to control the sun; here we see some open and some closed.
The large skylights on the wooden wall and railing from the south wall on the right. Out of sight is the fireplace, the chimney is detached from the outer wall behind another tall, thin window, creating the twin strips of sunlight
It is also interesting to note that another Esherick played a role in the house .: uncle of Margaret Wharton, a sculptor who worked in the woods. He began to develop interior woodwork for home, but got only as far as the large oak beam spanning the length of the second floor bedroom. Kahn designed around the beam, using large pieces of oak with T-shaped keys for the partition wall and railings.
Unfortunately, Margaret died only six months after the completion of the house, and he sat vacant for two years before the latter moved owners. As of this writing, 50 years of residence is for sale, with a sale price of just over $ 1 million.
The large skylights on the wooden wall and railing from the south wall on the right. Out of sight is the fireplace, the chimney is detached from the outer wall behind another tall, thin window, creating the twin strips of sunlight
It is also interesting to note that another Esherick played a role in the house .: uncle of Margaret Wharton, a sculptor who worked in the woods. He began to develop interior woodwork for home, but got only as far as the large oak beam spanning the length of the second floor bedroom. Kahn designed around the beam, using large pieces of oak with T-shaped keys for the partition wall and railings.
Unfortunately, Margaret died only six months after the completion of the house, and he sat vacant for two years before the latter moved owners. As of this writing, 50 years of residence is for sale, with a sale price of just over $ 1 million.
The House of Louis Kahn
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Learn more about the life of Louis Kahn
What are your thoughts on the work of Louis Kahn? Let us know in the comments below.
Learn more about the life of Louis Kahn
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